FORM
Agreement ↗
N independently-derived values that must be identical — with a FAIL row.
5 recorded relationships
THE SYSTEM / ONE CONNECTED RECORD
NOTHING HERE STANDS ALONE.
A film needs playback. Playback came from a publication. The publication needed a source. Follow one thread and watch the system open around it.
88 RECORDS / 268 DIRECTED RELATIONSHIPS
Choose a starting point. Follow any neighbouring record to put it at the centre. Every relationship below is an edge in the same graph Ask reads, with its recorded basis attached.
LEADS HERE · 4
DOCUMENTS / PAGE 3
- pageChoose a formFOLLOW THIS RECORD ↗
Choose a form → documents → Transformation
Why this connection?
Published selection grammar, deciding test, alternative acts and authored preview; Hero has a labelled typographic preview and Film retains its held storyboard
Neighbour’s source ↗ - pageWatch · performancesFOLLOW THIS RECORD ↗
Watch · performances → documents → Transformation
- pageFormsFOLLOW THIS RECORD ↗
Forms → documents → Transformation
Why this connection?
Forms collection links to each authored study, reusable specimen and source contract
Neighbour’s source ↗
USES / PAGE 1
- pageFormsFOLLOW THIS RECORD ↗
Forms → uses → Transformation
Why this connection?
The collection's Read, Operate and Watch encounters precede the catalogue
Neighbour’s source ↗
YOU ARE HERE / form
Transformation
Comparison's cinematic sibling — identical props, performed.
OPEN THE WORK ↗SOURCE RECORD ↗LEADS FROM HERE · 2
ADDRESSES / PROBLEM 1
- problemMOTION THAT MEANS NOTHINGFOLLOW THIS RECORD ↗
Transformation → addresses → MOTION THAT MEANS NOTHING
ORIGINATED IN / PRACTICE 1
- practiceVINDEX3FOLLOW THIS RECORD ↗
Transformation → originated in → VINDEX3
37 FORMS · 21 CAPABILITIES · 8 PROBLEMS · 2 PUBLICATIONS
This is the record behind Ask: named objects, source links and explicit relationships. The semantic form count remains separate from the supporting capabilities.
88 records / OPEN THE SEARCHABLE REFERENCE
FORM
Anatomy ↗
An annotated cutaway — one artifact drawn as its layers, fully disclosed.
4 recorded relationships
CAPABILITY
AnchoredDisclosure ↗
A native details section opens when a fragment link names content inside it. Summary, content and classes are supplied by the publication. Reading remains possible without JavaScript.
2 recorded relationships
FORM
Answer ↗
The question asked the way people ask it, answered first — one lift-able paragraph beneath the editorial surface, addressable by anchor. The legibility layer needed a question a machine could lift whole, sitting beneath the editorial surface without touching it.
8 recorded relationships
CAPABILITY
Authored environments ↗
ModeToggle and modeScript share an authored light or dark default. Stored choice is applied before paint. Reading surfaces can change while cinematic scenes retain their own palette; storage failure preserves the default.
2 recorded relationships
PAGE
Build ↗
Explore Build in HAUSE.
0 recorded relationships
FORM
ByteMap ↗
A physical layout drawn to scale — each field's width is its width in bytes.
3 recorded relationships
FORM
Channel ↗
Throughput through a fixed-capacity conduit.
4 recorded relationships
PAGE
Choose a form ↗
Compact intent and act disclosures sit beside an actual authored form preview. Alternative acts remain one click away. The complete 37-form grammar stays server-rendered in a native reference disclosure. Choices are explicit grammar navigation, not an AI judgement about unsupplied evidence.
39 recorded relationships
PAGE
CHOOSING-1 ↗
Three selectors face the same unfamiliar content: names and descriptions, the full selection grammar, and the deployed deterministic resolver. Read the scores and the failure analysis together.
2 recorded relationships
PRACTICE
CHRISHAYUK ↗
A film-and-photography publication needed large visual sequences alongside citeable technical records. Its motion coordination, film player, chapters, transcript, citation controls, evidence tables, measurement playback and social sharing became shared HAUSE capabilities. Film and evidence capabilities were contributed on 5 and 7 September 2026; reading and publication contracts were consolidated on 25 September 2026. The publication retains its own film grading and editorial layouts. The live HAUSE specimen demonstrates the shared behaviour; it is not independent evidence of reuse by another publication.
15 recorded relationships
FORM
Citation ↗
The reference itself, in the formats people paste — plain, BibTeX, APA, CSL-JSON, all from one record. The specification had to be citable: the reference itself, in the formats people paste.
6 recorded relationships
CAPABILITY
CitationExport ↗
The same HAUSE citation record produces Plain, APA, BibTeX, CSL-JSON and head metadata. Film and image kinds, literal corporate authors and unknown publication dates are supported. A retrieval date never substitutes for first publication. CitationExport adds downloads, copy feedback and a no-JS disclosure.
5 recorded relationships
FORM
Claim ↗
An assertion that knows it must answer to evidence.
11 recorded relationships
CAPABILITY
Codex and NotebookEdition ↗
NotebookTemplate binds an authored entry into selectable HTML folios, with an index, direct reading and authored history. FolioObject and Marginalia place objects and qualifications on a responsive spread. Page motion respects the shared coordinator and reduced motion; static, no-JavaScript and print editions retain all content. EditorialPlate composes selected imagery at wide, inset or portrait scale, with explicit captions. Manuscript supplies the distinct full-length reading edition, with chapter headings and continuous prose. NotebookNote places explanatory drawings beside prose; NotebookFilm mounts an existing player with its source and timestamp. Drawings and playback remain owned by the publication. NotebookStage gives instruments full-width plates or quieter reading layouts. NotebookPlate attaches identity and scope to an object. NotebookSpecimens and NotebookSpecimen provide native inspectable contact sheets; their units and source passages belong to the author. NotebookClosing gives a finding and its limits equal space. The publication supplies real evidence and revision history.
1 recorded relationships
FORM
Comparison ↗
One object, two interpretations, dragged between.
6 recorded relationships
FORM
Compilation ↗
A pile of inputs compiled down through named stages.
4 recorded relationships
PAGE
Connected system ↗
A navigable one-hop graph centres a record between incoming and outgoing relationships grouped by relation and record kind. Larger branches begin collapsed, with all edges retained in the HTML and every direction and basis intact. The same graph serves Ask, the API and searchable reference; no relationships are inferred.
2 recorded relationships
FORM
Connection ↗
A bridge out of the chapter: one sentence, then the doors.
3 recorded relationships
CAPABILITY
DecisionTrail ↗
A publication supplies ordered choice steps, the current selection, real navigation URLs and a rendered result. DecisionTrail stages the journey without client state or hidden routing rules. hause.design uses it to select all 37 forms through the published grammar; the component itself makes no recommendation and adds no semantic form.
3 recorded relationships
FORM
Decomposition ↗
One object, its parts, the thing that assembles them — stepped by hand.
3 recorded relationships
FORM
Derivation ↗
A value folded down a graded scale by caps — derived, never asserted.
4 recorded relationships
PROBLEM
EVERYTHING BECOMES A CARD ↗
Because the vocabulary they are given describes containers, not meaning. A component library offers Card, Modal, Accordion and Tabs; a model choosing among those names is choosing a shape, so every semantic act — a comparison, a refusal, an answer, a measurement — ends up inside the same rectangle. HAUSE names the act instead: Statement, Evidence, Refusal, Comparison, Answer. The model chooses what it is trying to say, and the shape follows from the saying. Switch an unchanged fictional gallery record between identical containers and actual Claim, Evidence and Refusal forms.
10 recorded relationships
PROBLEM
EVERYTHING SOUNDS EQUALLY CERTAIN ↗
By giving certainty a form rather than an adjective. HAUSE separates the states structurally: a Claim is a belief and carries a status mark; Evidence is a finding with its receipt, its date and its machine; a Question is what remains open, at the same size as an answer; a Refusal is what the system will not assert at all. Strip the styling away and a reader — or a machine — can still tell known from believed from unresolved. Reveal ten fictional listening responses, refute an overbroad claim, then state the narrower supported claim without changing the data.
8 recorded relationships
FORM
Evidence ↗
Rows of labelled findings with status marks — receipts, not decoration.
10 recorded relationships
PAGE
Evidence ↗
A source-backed exhibition of all 124 CHOOSING-1 outcomes in three conditions, the catalogue condition's two misses, and the preregistration. All five evaluation records remain linked. Scores are frozen author-led tests, not evidence of independent production adoption.
7 recorded relationships
CAPABILITY
EvidenceTable ↗
A native table carries recorded observations, explicit units and precision, baseline rows and source links. Missing measurements and inapplicable cells remain distinct from zero. All cells are available without JavaScript; the publication supplies the data and interpretation.
2 recorded relationships
PAGE
Examples ↗
Two source-led publication chapters pair an original VINDEX3 repository film and Chris Hay's original YouTube screening with the publishing need and recorded library contributions. The archive asset is unchanged. Both publications have one author; this is real use, not independent adoption.
5 recorded relationships
FORM
Excerpt ↗
Someone else's words, typeset — verbatim source material with its markdown rendered and its trims marked. Ask VINDEX3 had to show the specification's own passages verbatim, with their markdown rendered and their trims marked honestly.
6 recorded relationships
CAPABILITY
ExhibitionChoices and BeforeAfter ↗
Native radio choices switch between authored presentations without JavaScript. BeforeAfter supplies two readings; a collection can offer more. All content is server-rendered. The consumer owns meaning, media lifecycle and the unique control identifier. These are composition capabilities, not new semantic forms.
10 recorded relationships
FORM
ExpertField ↗
A field of units, mostly dormant; each scenario lights the subset that answers.
3 recorded relationships
CAPABILITY
FigureMotion ↗
A recorded figure reveals once, with replay managed by MotionProvider. Values never count up or interpolate; the complete geometry is readable without JavaScript or with reduced motion. The publication supplies the evidence and visual composition.
2 recorded relationships
FORM
Film ↗
A short film in the flow of a chapter — poster until it earns the play.
4 recorded relationships
PAGE
Film & publication ↗
Explore Film & publication in HAUSE.
21 recorded relationships
CAPABILITY
FilmChapters and TimedTranscript ↗
Chapters and transcript passages carry source timestamps. The site supplies seeking, original-source URLs and caption provenance. Transcript text is server-rendered inside a native disclosure; automatic captions must be identified as unreviewed.
4 recorded relationships
FORM
FollowReveal ↗
A path through connected ideas, replayed at the hause stagger.
3 recorded relationships
PAGE
Forms ↗
A labelled conceptual workbench introduces the collection. Native choices let readers encounter Statement, operate Comparison and watch Transformation before browsing every form's authored study, reusable specimen and recorded origin. Film remains a labelled storyboard with its specimen asset absent.
43 recorded relationships
FORM
Gating ↗
A stream widened into a working space, judged channel by channel, brought back home. The Anatomy chapter had to show a feed-forward network widen, judge channel by channel, and come back home.
4 recorded relationships
PAGE
Give meaning a form ↗
A semantic design system for AI-generated interfaces, born from exhibitions. Three labelled AI-generated visual studies explore attention, structure and passage; they are not archival photographs or real installations. Follow the shift from containers to acts, inspect the CHOOSING-1 selection result and try four forms. The complete origin archive lives on the origins page.
8 recorded relationships
CAPABILITY
GraphNeighbourhood ↗
One focused record sits between incoming and outgoing relationships. Every edge retains its direction and recorded basis; links move the focus or open the work and source. The helper rejects duplicate IDs, missing endpoints and duplicate relations while preserving parallel relations of different kinds. hause.design contributed the portable view; graph facts and routes remain publication-owned.
3 recorded relationships
FORM
Hero ↗
The room's first wall: kicker, headline, dek.
3 recorded relationships
PROBLEM
INTERFACES THAT CANNOT REFUSE ↗
As a designed statement, in the same typography as any other result — not as an error. A refusal dressed in red reads as a fault in the product, so teams build to avoid it, and the dependable way to avoid refusing is to invent. HAUSE gives refusal its own form: what was requested, what was actually available, and the principle that closed it. A system that can refuse well has no reason to guess. Request a present plan or an absent inspection report from an illustrative archive; missing evidence produces a refusal, not a substitute.
6 recorded relationships
FORM
Ladder ↗
A gated progression — rungs climbed in order, each closed only by its own criterion. The Record needed a gated progression whose rungs close only by their own criterion, never by narrative.
4 recorded relationships
FORM
Lens ↗
One concept at several depths — the explanation, the object, the clause — on one URL, with the reader's depth remembered. The representation chapter had to hold the explanation, the live object and the ABI clause at one address.
7 recorded relationships
FORM
Magnitude ↗
A powers-of-ten zoom-out — each arrival rescales the world.
5 recorded relationships
CAPABILITY
MeasurementTrace ↗
Recorded series share ordered stages, explicit scales, optional baselines, annotated spans and caution bands. Readers select a stage or play the sequence through MotionProvider. Playback advances between recorded samples without inventing intermediate values; all observations remain in a native table. Missing samples are gaps.
3 recorded relationships
PROBLEM
MOTION THAT MEANS NOTHING ↗
When the movement is the explanation rather than the polish. HAUSE has one easing curve, three speeds and three motion idioms: a one-shot reveal, a staged swap where two states of one object exchange places, and an in-view loop a scrolling reader must never find already finished. Every performance rests on a designed final state, and that resting state is exactly what reduced motion and no-JS receive — so the point survives the motion being taken away. A reader-started CSS paper study stages establish, exit, empty hold, enter and rest. It is an authored substitution, not a physics simulation; static frames and a complete text score remain available.
7 recorded relationships
CAPABILITY
MotionProvider ↗
One dominant visible media source owns playback. Local films and system studies can join through useMotion. Reduced motion, data saving, global pause, page visibility and dialog suspension are respected. Full films require explicit activation.
5 recorded relationships
PROBLEM
NOTHING TO CITE ↗
Give it what a citation needs and then never move it: an author, a first-publication date that does not drift, a version, a canonical URL, and a reference a reader can copy. HAUSE carries that as one record projected onto four surfaces — the provenance line on the page, the reference in the formats people paste, citation tags in the head that reference managers read, and JSON-LD in the graph. A registered identifier can join later; it is infrastructure, not a prerequisite. Restore the actual chapter's publication record to an attribution-stripped fragment and download citation formats generated from that record.
5 recorded relationships
FORM
Observation ↗
A labelled paragraph that watches rather than argues.
4 recorded relationships
PAGE
Operate · instruments ↗
A hands-on journey through rearranging, opening, selecting, verifying and tracing. Operate selected studies and inspect all fifteen instrument forms.
16 recorded relationships
PAGE
Origins & contributions ↗
HAUSE began as HOUSE, a cinematic visual language for ideas, systems and explanations. Real exhibitions grew it into Statements, Instruments and Performances before those forms became a selectable semantic vocabulary for AI.
4 recorded relationships
CAPABILITY
OutcomeMatrix ↗
One mark represents one recorded case. Counts come from the supplied exact decisions; solid and slashed marks distinguish success and failure without colour alone. A native disclosure holds the complete selection table. Scope and source are required; the component generates no results.
3 recorded relationships
PROBLEM
PAGES MACHINES CANNOT READ ↗
Because the meaning lives in the interaction. Canvas coordinates, animation states and content revealed only on click are invisible to a crawler, an answer engine or an agent browser: they get the chrome and none of the argument. HAUSE treats legibility as part of the grammar — an answer-first block with a stable anchor, structured data projected from the same records the page renders, ARIA state on every instrument, and a text fallback that survives the interaction being removed. Switch a fictional listening record between designed, plain-text and structured projections generated from the same facts; this is not a crawler test or an indexing guarantee.
6 recorded relationships
FORM
Procession ↗
One thing passing through every stage, in order.
5 recorded relationships
FORM
Provenance ↗
The publication record beneath the page — dates, version, identifiers, history — disclosed on demand, absent where nothing is registered. The specification's chapters needed the publication record beneath them — dates, version, identifiers, history.
5 recorded relationships
CAPABILITY
Publication legibility ↗
Framework-neutral checks preserve the authored headline while providing a literal search projection. A deliberate editorial opt-out requires a reason. The readable abstract, authorship and publication date remain explicit obligations.
2 recorded relationships
CAPABILITY
Publication metadata ↗
HAUSE derives canonical, social, citation and VideoObject metadata from the record supplied by the site. The local screening page, original source, producer and participants are distinct. Meaningful summaries must also be rendered as text. Metadata is not a guarantee of search indexing or AI-engine inclusion.
3 recorded relationships
FORM
Quantisation ↗
What quantisation actually does, performed on a lattice.
5 recorded relationships
FORM
Question ↗
An open question given the same typographic dignity as an answer.
5 recorded relationships
PAGE
Read · statements ↗
A fictional listening-room study becomes an argument through observation, claim, evidence, uncertainty, refusal and answer. All twelve statement forms remain within reach.
13 recorded relationships
PAGE
READING-1 ↗
Fresh model contexts read the public corpus and answer eight questions with sources. The record examines the understanding the site creates, including its omissions.
1 recorded relationships
PAGE
READING-2 ↗
Two sentences are added to the homepage and the reading exercise is repeated. The record follows whether the boundary travels, and which sources readers use.
1 recorded relationships
CAPABILITY
recordDifference ↗
Compare two supplied inventories by identity, rejecting duplicate IDs and returning missing and unexpected names. Equal counts do not imply equal records. hause.design donated this helper for its deliberately damaged-copy drift experiment; inputs, sources and interpretation remain with the publication.
3 recorded relationships
FORM
Refusal ↗
Fail-closed rendered as design language, not as an error state. vindex3 needed fail-closed to arrive as design language rather than as an error state — a system whose personality is that it refuses rather than guesses.
11 recorded relationships
CAPABILITY
Revision continuity ↗
Checks distinguish initial releases from clarifications, interpretation changes and corrections. A revision retains first publication, names its predecessor and advances its version. The host preserves and verifies its own source artifacts.
2 recorded relationships
PAGE
ROUTING-1 ↗
The same vocabulary is used to request different kinds of answers. This tests routing before retrieval or form selection.
1 recorded relationships
PAGE
ROUTING-2 ↗
A follow-up tests moving selection from keyword scaffolding to the choosing records. It separates unfamiliar questions from phrasings already encountered.
1 recorded relationships
CAPABILITY
SequencePlayer ↗
Reader-started, finite playback of consumer-supplied frames. The server renders the final frame and a complete text score; readers can select static frames or play once. Playback stops offscreen, when the page is hidden or reduced motion is selected. The consumer owns the visuals and any intra-frame CSS motion. It is standalone composition, not a new semantic form or a media coordinator.
3 recorded relationships
CAPABILITY
Share ↗
A publication supplies the proposition and canonical URL. Share offers reader-initiated LinkedIn and X composers plus a native Copy disclosure. Clipboard failure leaves selectable text. No provider SDK, automatic posting or subscriber store is added; social cards and editorial post drafts belong to the consuming publication.
2 recorded relationships
FORM
Snippet ↗
A labeled block of code or terminal output, verbatim on the ink — the on-ramp form, promoted when two sites needed the same shape. hause.design's Use page invented the shape and vindex3's Get Started needed the same one — two sites doing one thing differently is what a design system exists to stop.
6 recorded relationships
FORM
StagedTransition ↗
One state exits, a held absence, then another enters. The exhibition notebook needed the interval between a claim and evidence to communicate that the states do not coexist.
3 recorded relationships
FORM
Statement ↗
One sentence, given the whole width.
5 recorded relationships
FORM
Terminal ↗
A query surface whose chrome is the form and whose meaning is one executor. vindex3's Explorer needed a query surface — psql, for a model — fronting a live endpoint rather than a recording of one.
4 recorded relationships
FORM
TextCorrection ↗
A rejected line stays legible while its consequence arrives. The attribution note needed to stage a rejected metadata line under shared motion ownership without implying CI edits immutable commits.
3 recorded relationships
PROBLEM
THE BOOK DRIFTS FROM THE CODE ↗
Derive what the system already knows, and check identities rather than totals alone. HAUSE builds its collection from a pinned library manifest and an ingested documentation snapshot. A manifest entry without documentation fails the build. This chapter compares those two inventories, deliberately removes an entry from a copy, and restores it. That checks a specific release: it does not prove the site follows every later library change or that every prose claim is current. Compare the pinned manifest with the ingested documentation by identity. Break a copy, expose the missing form, then restore it; the real files remain unchanged.
7 recorded relationships
PAGE
The category ↗
Explore The category in HAUSE.
0 recorded relationships
FORM
Timeline ↗
Dated entries, in order — history as prose, not a widget.
4 recorded relationships
FORM
Transformation ↗
Comparison's cinematic sibling — identical props, performed.
6 recorded relationships
PAGE
Try HAUSE ↗
Explore Try HAUSE in HAUSE.
0 recorded relationships
PROBLEM
TUTORIAL OR REFERENCE, NEVER BOTH ↗
Both, at one address. Splitting a subject into a tutorial and a reference asks the reader to guess which half holds their answer, and guarantees the two will drift apart. HAUSE's Lens keeps them as depths of one thing — the explanation, the object itself, and the normative clause — on a single URL, with the chosen depth remembered across pages and written into the fragment. A reader who thinks in clauses stays in clauses. Operate the original Lens at Learn, Inspect and Spec depths, keeping its source contract and remembered depth.
7 recorded relationships
FORM
Unfolding ↗
Decomposition's cinematic sibling — the parts arrive on their own.
5 recorded relationships
FORM
Variants ↗
Physically present variants of one identity — and a designed refusal for the absent one. vindex3 had to show physically present variants of one identity, and a designed refusal for the absent one.
5 recorded relationships
PRACTICE
VINDEX3 ↗
VINDEX3 needed to explain model representation and execution. HAUSE supplied comparisons, instruments and performances that let the reader inspect the argument. Its chapters supplied recorded origins for forms in the library. The form manifest is the source for those links.
20 recorded relationships
CAPABILITY
VisualPlate ↗
A reusable exhibition plate holds a consumer-supplied media renderer, its reading and a required credit. hause.design donated the component; its generated concept imagery remains site-owned and is explicitly distinguished from documentary evidence. Responsive delivery and alt text belong to the consumer.
10 recorded relationships
PAGE
Watch · performances ↗
A screening-led journey through reorganisation, passage, scale and precision. Finite performances, a labelled AI-generated silk study, and a real Chris Hay film with chapters and transcript. All ten performance forms remain within reach.
13 recorded relationships
PAGE
Why ↗
An original labelled visual study shows what identical containers conceal. A native before/after restores Claim, Evidence and Refusal to the same fictional record. Eight interface failures remain linked to their chapters and answering forms.
5 recorded relationships
CAPABILITY
YouTubeFilm ↗
An external film begins with its poster and loads the privacy-enhanced YouTube player only after a reader presses play. A publication can supply its own preview composition. Full playback resets on suspension and requires another play action on return.
7 recorded relationships